
From Wikipedia, the free encyclopedia. Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films. Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards". Simultaneously, Shearer's ten-year collaboration with portrait photographer George Hurrell and her lasting contribution to fashion through the designs of Adrian were also recognized. Shearer is widely celebrated by some as one of cinema's feminist pioneers: "the first American film actress to make it chic and acceptable to be single and not a virgin on screen". In March 2008, two of her most famous pre-code films, The Divorcee and A Free Soul, were released on DVD. Description above from the Wikipedia article Norma Shearer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Sports on the Silver Screen

The Making of a Legend: Gone with the Wind

He Who Gets Slapped

Joan Crawford: Always the Star

Judy Garland: By Myself

Escape

That's Entertainment!

The Student Prince in Old Heidelberg

The Women

The Devil's Circus

After Midnight

Way Down East

That's Entertainment! III

The Romance of Celluloid

Hollywood Goes to Town

The Star Boarder

A New Romance of Celluloid: The Miracle of Sound

Complicated Women

The Wolf Man

Hollywood Out-takes and Rare Footage

Cavalcade of the Academy Awards

Marie Antoinette

A Lady of Chance

Private Lives

The Trial of Mary Dugan

Riptide

The Divorcee

Romeo and Juliet

1925 Studio Tour

A Free Soul

Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood

The Barretts of Wimpole Street

Hollywood: The Dream Factory

Upstage

A Clouded Name

Twenty Years After

The Flapper

Idiot's Delight

The Waning Sex

Smilin' Through

The Last of Mrs. Cheyney

Lady of the Night

The Hollywood Revue of 1929

The Stolen Jools

Hollywood: Style Center of the World

Master Will Shakespeare

Strange Interlude

Going Hollywood

Strangers May Kiss

Lucretia Lombard

Another Romance of Celluloid

The Christmas Party

Wir schalten um auf Hollywood

Their Own Desire

Pretty Ladies

Her Cardboard Lover

Screen Snapshots Series 18, No. 8

Let Us Be Gay

We Were Dancing

A Slave of Fashion

Broken Barriers

Empty Hands

Channing of the Northwest

Married Flirts

A Man's Man

The Tower of Lies

Broadway After Dark

You're the Top: The Cole Porter Story

The Actress

The Restless Sex

Waking Up the Town

The Latest from Paris

The Snob

From the Ends of the Earth

The Film Parade

His Secretary

Blue Water

Excuse Me

The Wanters

The Trail of the Law

The Bootleggers

The Taming of the Shrewd

The Devil's Partner

The Stealers

Man and Wife

Pleasure Mad

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The Man Who Paid

The Demi-Bride

The End of the World

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MGM Parade