
Raymond Depardon is a photographer, a journalist and a filmmaker, but, above all, his eyes view humans with compassion. He respects others and is kind with the reality of their lives. He was born into a family of farmers in 1942 in Burgundy and went to Paris in 1958, wishing to be a photographer. He was first taken on as a messenger in an agency and was sent to take photos of an opening-night at the cinema: the movie was none other than Jean-Luc Godard's Breathless. He finally established his own agency, Gamma, together with three reporters, in 1966 'not for money but for the freedom'. He suggested to set up a cinema department: 'we bought an Eclair- camera and tried to make news-films for television in addition to taking news-photograhs... It was then that I learned to hold the camera." When Depardon films people, he is silent. If one has the impression that he always keeps his eyes lowered in the face of the world's miseries, it is untrue. Raymond Depardon looks as through a lattice and reacts like quicksilver, keeping his deepest, innermost emotion secret, and allow his pictures to speak for themselves. His films are now screened in all international film festivals, from Cannes to Hong Kong.

モダン・ライフ

Profils paysans : l'approche

10e chambre - Instants d'audience

Profils paysans : le quotidien

Une femme en Afrique

12 jours

Quoi de neuf au Garet?

Reporters

Délits flagrants

旅する写真家 レイモン・ドゥパルドンの愛したフランス

Un homme sans l'Occident

Faits divers

Dix minutes de silence pour John Lennon

San Clemente

忘却に抗って - 命のための30通の手紙

Les années déclic: 1957-1977

Contacts

Amour

それぞれのシネマ

1974年、選挙キャンペーン

Urgences

New York, N.Y.

Lumière et Compagnie

Les Habitants

Numéros zéro

La Captive du désert

Afriques : comment ça va avec la douleur ?

Jan Palach

Paris

À propos de Nice, la suite

Muriel Leferle

Tibesti Too

Donner la parole

Sida propos (ou Paroles d'appelés)

Les Révolutionnaires du Tchad

8e étage

Au bonheur des maths

Face à la mer

Bolivie

Chasseurs et Chamans

Tchad 3

Tchad 1 : L'Embuscade

Tchad 2 : L'Ultimatum

Une histoire très simple

Jean-Luc Godard à la Cinémathèque française

モダン・ライフ

Profils paysans : l'approche

Profils paysans : le quotidien

Quoi de neuf au Garet?

旅する写真家 レイモン・ドゥパルドンの愛したフランス

Un homme sans l'Occident

L'Âge d'or de la pub

Les années déclic: 1957-1977

New York, N.Y.

Donner la parole

Ciné-portrait de Raymond Depardon

Un Moment Si Doux

La rouge et la noire

Incognito

Raymond Depardon: Fermes familiales