
Jun Fukuda was a Japanese film director, screenwriter and producer. Fukuda joined Toho in 1946 and ventured into the realm of assistant director, being taken under the wing by directors like Hiroshi Inagaki. By 1959, Fukuda began a career as a full-fledged director, his early work slanted more toward mystery, but then expand into more comedic work by the mid-1960s, such as the spy spoof Iron Finger (1965). He also wrote the screenplay for the unproduced The Invisible Man vs. the Human Torch. Fukuda would eventually be tasked to direct a Godzilla movie, Ebirah, Horror of the Deep (1966). Fukuda would go on to direct various entries in Toho's popular Young Guy series and Konto 55, however he would be best known for his Godzilla work, becoming the "go to" director for special effects productions after Ishirō Honda. Fukuda famously harbored a harsh view of his work in the Godzilla series saying, "The monsters became the stars, and the human characters were put into the background." and "I give all of my Godzilla films a minus score." Despite the distain he felt towards his work, he was pleasantly surprised to find fans who enjoyed his film and who sent him well wishing cards near the end of his life.

国際秘密警察 虎の牙

西遊記

怪奇大作戦

流星人間ゾーン

情無用の罠

ゴジラ対メカゴジラ

100発100中 黄金の眼

怪獣島の決戦 ゴジラの息子

地球攻撃命令 ゴジラ対ガイガン

ゴジラ・エビラ・モスラ 南海の大決闘

100発100中

ゴジラ対メガロ

電送人間

ハワイの若大将

コント55号 宇宙大冒険

日本一の若大将

ニュージーランドの若大将

フレッシュマン若大将

惑星大戦争

野獣都市

エスパイ

Attack of the Galactic Monsters

暗黒街撃滅命令

大日本スリ集団

女性自身

暗黒街の牙

怒涛一万浬

のら犬作戦

3000キロの罠

血とダイヤモンド

コント55号 人類の大弱点

コント55号 俺は忍者の孫の孫

吼えろ脱獄囚

西のペテン師 東のサギ師

にっぽん実話時代

香港の白い薔薇

恐るべき火遊び

守屋浩の三度笠シリーズ 泣きとうござんす

守屋浩の三度笠シリーズ 有難や三度笠

ソレが男の生きる道

喜劇 だましの仁義

日本沈没