
Hong Sang-soo (born October 25, 1960) is a South Korean writer-director. He has directed 33 films as of 2025. Certain elements are commonly found in Hong's films. A typical Hong film highlights a theme of domestic realism with many of the scenes set on residential streets, cafes, hotels, schools, and in the stairwells of apartment buildings. Characters are seen walking around the city, drinking soju, and having sex. The main characters are often movie directors or actors, and scenes typically consist of a single shot, often beginning and ending with a camera zoom. The budgets for his movies average about $100,000. Hong is often spontaneous when shooting, delivering the day's scene on the morning of the shoot and frequently changing stories while on set. He rarely prepares scripts in advance. Hong's style has been compared to Eric Rohmer's, and it has even been argued that allusions to Rohmer's films appear in some films directed by Hong.

小川のほとりで

밤과 낮

지금은맞고그때는틀리다

북촌방향

私たちの一日

그 자연이 네게 뭐라고 하니

극장전

옥희의 영화

당신얼굴 앞에서

강원도의 힘

생활의 발견

逃げた女

自由が丘で

小説家の映画

夜の浜辺でひとり

草の葉

물안에서

ソニはご機嫌ななめ

それから

여행자의 필요

Hong Sangsoo – Winner of the Silver Bear for Best Screenplay

강변호텔

인트로덕션

ヘウォンの恋愛日記

첩첩산중

하하하

돼지가 우물에 빠진 날

탑

당신자신과 당신의 것

오! 수정

浜辺の女

La Caméra de Claire

女は男の未来だ

다른 나라에서

Letter to the New York Film Festival

Small Flower

그녀가 돌아온 날

잘 알지도 못하면서

리스트

Venezia 70: Future Reloaded

Tree Above Volvo