
Trained as a graphic artist and a painter, Paul Sharits became an avant-garde filmmaker noted for manipulating the film stock itself to create a variety of fascinating, abstract light and colorplays when projected on the screen. Fans hail the effects hallucinogenic, while his detractors find them garish. Sharits is also known for establishing experimental film groups at prominent universities, including one at the University of Indiana where he studied. He later taught and developed an undergraduate film program at Antioch College. Between 1973 and 1992, Sharits taught at the Center for Media Study at the State University of New York. His films can be seen in various U.S. and European museums, film centers, and libraries. Much of his work can be found in the Anthology Film Archives in New York City. ~ Sandra Brennan,

Wintercourse

Tails

Epileptic Seizure Comparison

Wrist Trick

Word Movie

Sears Catalogue 1-3

Dots 1 & 2

T,O,U,C,H,I,N,G

Bad Burns

Razor Blades

N:O:T:H:I:N:G

Unrolling Event

S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED

Sound Strip/Film Strip

Fluxfilm Anthology 1962-1970

Rapture

Analytical Studies III - Color Frame Passages

Episodic Generation

Brancusi's Sculpture Garden at Tirgu Jiu

Inferential Current

Declarative Mode

3rd Degree

Analytical Studies I: The Film Frame

Analytical Studies II: Unframed Lines

Axiomatic Granularity

Analytical Studies IV: Blank Color Frames

Synchronousoundtracks

Apparent Motion