
De la Iglesia was an outspoken gay socialist filmmaker relatively unknown outside of Spain, despite a prolific and successful career in his native country. He is best remembered for having portrayed urban marginality and the world of drugs and juvenile delinquency in the early 1980s, and his films serve as an archive of the Spanish marginality of this era. Is other words, his work is closely related to the phenomenon popularly known in Spain as "quinqui cinema". His films are an example of commitment to the immediate reality; they were made with honesty and great risk, against the conformist outlook of most movies of its time. Many of this films also deal with the theme of homosexuality.

El pico

Navajeros

El pico 2

Colegas

La estanquera de Vallecas

La semana del asesino

El diputado

El sacerdote

Los placeres ocultos

Nadie oyó gritar

Los novios búlgaros

El techo de cristal

Miedo a salir de noche

Juego de amor prohibido

Una gota de sangre para morir amando

La mujer del ministro

Otra vuelta de tuerca

La otra alcoba

Algo amargo en la boca

La criatura

Cuadrilátero